Box 6
Container
Contains 10 Results:
Libretto Outlines
File — Box: 6, Folder: 1
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
Other: Majority of material found in 1953-1980
Annotated Drafts, undated
File — Box: 6, Folder: 2
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
Other: Majority of material found in 1953-1980
Annotated Drafts and Mimeographed Copies, 1953
File — Box: 6, Folder: 3
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
1953
Unannotated Mimeographed Copies, 1953
File — Box: 6, Folder: 4
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
1953
Annotated Drafts and Mimeographed Copies, 1955
File — Box: 6, Folder: 5
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
1955
Unannotated Mimeographed Copies, 1955
File — Box: 6, Folder: 6
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
1955
Annotated Mimeographed Copies, 1956
File — Box: 6, Folder: 7
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
1956
Unannotated Mimeographed Copies, 1956
File — Box: 6, Folder: 8
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
1956
Libretto Supplements
File — Box: 6, Folder: 9
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
Other: Majority of material found in 1953-1980
Cooper's Notes on Title Suggestions
File — Box: 6, Folder: 10
Identifier: 4
Scope and Contents
From the Series:
In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for...
Dates:
Other: Majority of material found in 1953-1980