Unannotated Mimeographed Copies, 1955

In constructing the libretto, Cooper made numerous drafts and revisions, both during her initial conception of the project, and also after its official commissioning by Berea College and the National Council of Churches of Christ. Early drafts were used by Cooper to develop the oratorio concept and submit it for commissioning consideration. Later drafts were used in a variety of ways, such as by Lockwood in setting the words to music; as conductors’ and musicians’ references; and for distribution by Cooper as souvenirs or to generate interest from other performance organizations.

Included in this series are Cooper’s libretto notes and outlines, and drafts and revised editions of the libretto. Drafts and some versions are undated, with other versions dating from 1953 to 1956. Some versions bear Cooper’s annotations, while others are unannotated, except for Cooper’s autograph or inscription. Also included are Cooper’s research on possible titles for the oratorio.