Box 4

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...

Scope and Contents From the Series: Almost half of this series is correspondence between Clara Chassell Cooper and Normand Lockwood. Through letters, post cards, and telegrams, they communicated on topics such as the setting of the libretto to music; information on rehearsals and performances; and complications involved in the copyrighting of the oratorio. Social communications, such as information about mutual acquaintances, details of travel plans, and holiday greetings, also are woven into their...